Gauhar Jaan was born as Angelina Yeoward in 1873 in Patna, to William Robert Yeoward, an Armenian Jew working as an engineer in a dry-ice factory at Azamgarh, near Banaras, who married a Jewish Armenian lady, Allen Victoria Hemming around 1870. Victoria was born and brought up in India, and trained in music and dance. Within a few years in 1879, the marriage ended, causing hardships to both mother and daughter, who later migrated to Banaras in 1881, with a Muslim nobleman, ‘Khursheed’, who appreciated Victoria’s music more than her husband had. Later, Victoria converted to Islam and changed Angelina’s name to ‘Gauhar Jaan’ and hers to ‘Malka Jaan’. In time, Victoria (now ‘Malka Jaan’) became an accomplished singer, Kathak dancer and a courtesan in Banaras, and made a name for herself, as Badi Malka Jan; she was called Badi (elder) because at that time three other Malka Jans were famous: Malka Jan of Agra, Malka Jan of Mulk Pukhraj and Malka Jan of Chulbuli, and she was the eldest among them. Finally, Malka Jaan moved back to Calcutta in 1883, and established herself in the courts of Nawab Wajid Ali Shah, who had settled at Matiaburj (Garden Reach), near Kolkata and within three years purchased a building at 24 Chitpore Road (now Rabindra Sarani), for Rs.40,000. It is here that young Gauhar started her training, she learnt pure and light classical Hindustani vocal music from, Kale Khan of Patiala, ‘Kalu Ustad’, Ustad Vazir Khan of Rampur, and Ustad Ali Baksh (founding members of Patiala Gharana) and Kathak from legendary Brindadin Maharaj (granduncle of Birju Maharaj), Dhrupad dhamar from Srijanbai, and Bengali Keertan from Charan Das. Soon she also started writing and composing ghazals under the pen-name ‘Hamdam’ and became proficient in Rabindra Sangeet. Gauhar Jaan gave her maiden performance at the royal courts of Darbhanga Raj in 1887 and was appointed as court musician, after receiving extensive dance and music training from a professional dancer at Banaras. Gauhar Jan started performing in Calcutta in 1896 and was called the ‘first dancing girl’ in her records. Gauhar Jaan first visited Madras in 1910, for a concert in the Victoria Public Hall, and soon her Hindustani and Urdu songs were published in a Tamil music book. In December, 1911, she was famously invited to perform at the coronation of King George V at Delhi Durbar, where she sang a duet, 'Ye Hai Tajposhi Ka Jalsa, Mubarak Ho Mubarak Ho', with Jankibai of Allahabad. It is said that, Begum Akhtar in her early days wanted to pursue a career in Hindi films, but after listening to the singing of Gauhar and her mother, she gave up the idea completely and devoted herself to learning Hindustani classical music. In fact, her first teacher was Ustad Imdad Khan, who accompanied the mother-daughter duo on sarangi. Eventually, in her final days, she moved to Mysore, at the invitation of Krishna Raja Wadiyar IV of Mysore, and on August 1, 1928, she was appointed as a ‘Palace musician’, though she passed away within 18 months, on January 17, 1930 in Mysore. In her lifetime, she recorded more than 600 records from 1902 to 1920, in more than ten languages, including Bengali, Hindustani, Gujarati, Tamil, Marathi, Arabic, Persian, Pushto, French, and English. She would round off her performances for a record by announcing ‘My name is Gohar Jan’.
NOTE: Recent writings speak about her Armenian Jewish parentage. I am not sure whether Armenian Jews, she among them, were or considered themselves part of the Bagdadi Jewish community. However since 'Bagdadi Jews' was the name for the Jews from the Middle East and Armenia in the region, I have included her.